French novelist and playwright (1799-1850)
Paris is the crown of the world, a brain which perishes of genius and leads human civilization; it is a great man, a perpetually creative artist, a politician with second-sight who must of necessity have wrinkles on his forehead, the vices of a great man, the fantasies of the artist, and the politician’s disillusions. Its physiognomy suggests the evolution of good and evil, battle and victory; the moral combat of ‘89, the clarion calls of which still re-echo in every corner of the world; and also the downfall of 1814. Thus this city can no more be moral, or cordial, or clean, than the engines which impel those proud leviathans which you admire when they cleave the waves! Is not Paris a sublime vessel laden with intelligence? Yes, her arms are one of those oracles which fatality sometimes allows. The City of Paris has her great mast, all of bronze, carved with victories, and for watchman—Napoleon. The barque may roll and pitch, but she cleaves the world, illuminates it through the hundred mouths of her tribunes, ploughs the seas of science, rides with full sail, cries from the height of her tops, with the voice of her scientists and artists: "Onward, advance! Follow me!" She carries a huge crew, which delights in adorning her with fresh streamers. Boys and urchins laughing in the rigging; ballast of heavy bourgeoisie; working-men and sailor-men touched with tar; in her cabins the lucky passengers; elegant midshipmen smoke their cigars leaning over the bulwarks; then, on the deck, her soldiers, innovators or ambitious, would accost every fresh shore, and shooting out their bright lights upon it, ask for glory which is pleasure, or for love which needs gold.
HONORÉ DE BALZAC
The Girl with the Golden Eyes
If a man strike his mistress it is a self-inflicted wound; but if he strike his wife it is suicide!
HONORÉ DE BALZAC
Physiology of Marriage
Often it is some girl in love, some gray-headed merchant on the verge of bankruptcy, some mother with a son’s wrong-doing to conceal, some starving artist, some great man whose influence is on the wane, and, for lack of money, is like to lose the fruit of all his labors—the power of their pleading has made me shudder. Sublime actors such as these play for me, for an audience of one, and they cannot deceive me. I can look into their inmost thoughts, and read them as God reads them. Nothing is hidden from me. Nothing is refused to the holder of the purse-strings to loose and to bind. I am rich enough to buy the consciences of those who control the action of ministers, from their office boys to their mistresses. Is not that power?—I can possess the fairest women, receive their softest caresses; is not that Pleasure? And is not your whole social economy summed up in terms of Power and Pleasure?
HONORÉ DE BALZAC
Gobseck
Love is the poetry of the senses. It has the destiny of all that which is great in man and of all that which proceeds from his thought. Either it is sublime, or it is not. When once it exists, it exists forever and goes on always increasing. This is the love which the ancients made the child of heaven and earth.
HONORÉ DE BALZAC
Physiology of Marriage
Thoughts of adultery do not take possession of the heart of a married woman all at once, like a shot from a pistol.
HONORÉ DE BALZAC
Physiology of Marriage
All human power is a compound of time and patience.
HONORE DE BALZAC
Eugénie Grandet
Love has its own instinct, finding the way to the heart, as the feeblest insect finds the way to its flower, with a will which nothing can dismay nor turn aside.
HONORE DE BALZAC
A Woman of Thirty
What a thing of fantasy a woman may become after dusk.
HONORE DE BALZAC
Ferragus
Yesterday, at the Italian Opera, I could feel some one was looking at me; my eyes were drawn, as by a magnet, to two wells of fire, gleaming like carbuncles in a dim corner of the orchestra. Henarez never moved his eyes from me. The wretch had discovered the one spot from which he could see me—and there he was. I don't know what he may be as a politician, but for love he has a genius.
HONORÉ DE BALZAC
Letters of Two Brides
Silliness has two ways of comporting itself; it talks, or is silent. Silent silliness can be borne.
HONORÉ DE BALZAC
Pierrette
We cannot measure the vast orbit of the Divine thought of which we are but an atom as small as God is great; but we can feel its vastness, we can kneel, adore, and wait.
HONORÉ DE BALZAC
Seraphita
Clouds signify the veil of the Most High.
HONORÉ DE BALZAC
Seraphita
Dost thou not see the nature of my love, a love without self-interest; a sentiment full of thee, thee only; a love which follows thee into the future to light that future for thee—for it is the one True Light. Canst thou now conceive with what ardor I would have thee leave this life which weighs thee down, and behold thee nearer than thou art to that world where Love is never-failing? Can it be aught but suffering to love for one life only? Hast thou not felt a thirst for the eternal love? Dost thou not feel the bliss to which a creature rises when, with twin-soul, it loves the Being who betrays not love, Him before whom we kneel in adoration?
HONORÉ DE BALZAC
Seraphita
A husband ought never to be the first to go to sleep and the last to awaken.
HONORÉ DE BALZAC
Physiology of Marriage
Conviction brings a silent, indefinable beauty into faces made of the commonest human clay; the devout worshiper at any shrine reflects something of its golden glow, even as the glory of a noble love shines like a sort of light from a woman's face.
HONORE DE BALZAC
White hair often covers the head, but the heart that holds it is ever young.
HONORE DE BALZAC
The Lily of the Valley
The apparition of that august old woman, in her Breton costume, shrouded in her coif (a sort of hooded mantle of black cloth), accompanied by Brigaut, appalled Sylvie; she fancied she saw death.
HONORÉ DE BALZAC
Pierrette
Perhaps the mind cannot be complete at all points; perhaps artists of every kind live too much in the present moment to study the future; perhaps they are too observant of the ridiculous to notice snares, or they may believe that none would dare to lay a snare for such as they.
HONORÉ DE BALZAC
A Daughter of Eve
Passions are as mean as they are cruel.
HONORÉ DE BALZAC
A Daughter of Eve
In one of the finest houses of the rue Neuve-des-Mathurins, at half-past eleven at night, two young women were sitting before the fireplace of a boudoir hung with blue velvet of that tender shade, with shimmering reflections, which French industry has lately learned to fabricate. Over the doors and windows were draped soft folds of blue cashmere, the tint of the hangings, the work of one of those upholsterers who have just missed being artists. A silver lamp studded with turquoise, and suspended by chains of beautiful workmanship, hung from the centre of the ceiling. The same system of decoration was followed in the smallest details, and even to the ceiling of fluted blue silk, with long bands of white cashmere falling at equal distances on the hangings, where they were caught back by ropes of pearl. A warm Belgian carpet, thick as turf, of a gray ground with blue posies, covered the floor. The furniture, of carved ebony, after a fine model of the old school, gave substance and richness to the rather too decorative quality, as a painter might call it, of the rest of the room. On either side of a large window, two etageres displayed a hundred precious trifles, flowers of mechanical art brought into bloom by the fire of thought. On a chimney-piece of slate-blue marble were figures in old Dresden, shepherds in bridal garb, with delicate bouquets in their hands, German fantasticalities surrounding a platinum clock, inlaid with arabesques. Above it sparkled the brilliant facets of a Venice mirror framed in ebony, with figures carved in relief, evidently obtained from some former royal residence. Two jardinieres were filled with the exotic product of a hot-house, pale, but divine flowers, the treasures of botany.
HONORÉ DE BALZAC
A Daughter of Eve