WRITING QUOTES XV

quotations about writing

A major character has to come somehow out of the unconscious.

GRAHAM GREENE

New York Times, October 9, 1985


There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression.

H. P. LOVECRAFT

"The Defence Remains Open!"

Tags: H. P. Lovecraft


If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.

CRAIG JOHNSON

"A Conversation with Craig Johnson", The Cold Dish

Tags: Craig Johnson


Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.

JACK LONDON

"Getting Into Print", Editor magazine, 1903


The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.

HUNTER S. THOMPSON

The Paris Review, fall 2000


When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.

JORGE LUIS BORGES

The Paris Review, winter-spring 1967


A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?

SAUL BELLOW

The Paris Review, winter 1966


I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar.

JEFFREY EUGENIDES

Middlesex

Tags: Jeffrey Eugenides


The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

ANAÏS NIN

attributed, French Writers of the Past


Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.

GEOFFREY CHAUCER

The Canterbury Tales

Tags: Geoffrey Chaucer


If there is a special Hell for writers it would be in the forced contemplation of their own works.

JOHN DOS PASSOS

New York Times, October 25, 1959

Tags: John Dos Passos


Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent--which attitude certainly has a great deal to support it. On the other hand, it is only because the world looks on his talent with such frightening indifference that the artist is compelled to make his talent important.

JAMES BALDWIN

Notes of a Native Son

Tags: James Baldwin


Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.

DANIEL GRIFFIN

"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016


Writing, in whatever form, is your own personal progress report. There's nothing I love more than curling up with tea and reading back over my past, error-riddled posts. It's an indescribable connection that you simply can't get from a photo or memory alone. Think of it as the only true insight your future self has into you, as you are today. Blog for yourself and the rest will follow.

BIANCA BASS

"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016


I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968


The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.

TOM ROBBINS

"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993

Tags: Tom Robbins


I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

MARKUS ZUSAK

The Book Thief


You know nobody's ever going to see the stuff, but you have to write through it. You're just trying to satisfy some grim, barren mandate. There's probably a German word for that.

JOHN JEREMIAH SULLIVAN

The Paris Review, winter 2012


Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.

JOHN BANVILLE

attributed, Irish Writers and Their Creative Process