quotations about writing
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
MARTIN AMIS
The Paris Review, spring 1998
A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
CYRIL CONNOLLY
Enemies of Promise
There is absolutely everything in great fiction but a clear answer.
EUDORA WELTY
On Writing
Everybody can write; writers can't do anything else.
MIGNON MCLAUGHLIN
The Complete Neurotic's Notebook
The truth I'm trying to convey is not a startling one, it is simply a peeling away of affectation. I use whatever gift I have to get behind the façade.
ANITA BROOKNER
The Paris Review, fall 1987
Now, writing every day, and being paid for it and encouraged to do it, it was as if, in the midst of the clichéd dark and stormy night, I found the magical inn, its windows golden lit, and Summer was due to start tomorrow. I can only work at one thing well. Deprive me of that, and my "back-up plan," even now, will be the empty, stormy, darkened heath -- where, incidentally, even unpublished, somehow I'll still be writing.
TANITH LEE
interview, Intergalactic Medicine Show
When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
What I like to do is write the story, see where it takes me -- and then check out the details I don't know. When I first started writing, there were a lot of things about the world that I understood but didn't have the vocabulary for -- and even more things that I just had no idea about. For instance, do you know all the parts of a door frame? Or what flowers bloom in the spring in alpine climates? There's a surprising amount of homework involved in writing a book.
PATRICIA BRIGGS
interview, Bitten by Books, March 30, 2010
The publishers want series, obviously. Originally, they wanted me to do the Garrett series along with another similar series, so it would be one book every six months. Eventually I'd just do the outlines and they'd get some poor unknown author to flesh out the stories. That's why you see so many books by a famous author and an unknown. You can make half the money basically by selling your name. The thing is, once your name is on enough bad books, maybe it isn't worth all that much any more.
GLEN COOK
interview, Quantum Muse
In secluding himself too much from society, an author is in danger of losing that intimate acquaintance with life which is the only sure foundation of power in a writer.
CHRISTIAN NESTELL BOVEE
Intuitions and Summaries of Thought
Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
URSULA K. LE GUIN
"A Message About Messages", CBC Magazine
Most writers -- poets in especial -- prefer having it understood that they compose by a species of fine frenzy -- an ecstatic intuition -- and would positively shudder at letting the public take a peep behind the scenes, at the elaborate and vacillating crudities of thought -- at the true purposes seized only at the last moment -- at the innumerable glimpses of idea that arrived not at the maturity of full view -- at the fully matured fancies discarded in despair as unmanageable -- at the cautious selections and rejections -- at the painful erasures and interpolations -- in a word, at the wheels and pinions -- the tackle for scene-shifting -- the step-ladders and demon-traps -- the cock's feathers, the red paint and the black patches, which, in ninety-nine cases out of the hundred, constitute the properties of the literary histrio.
EDGAR ALLAN POE
"The Philosophy of Composition"
I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.
ELIF BATUMAN
The Paris Review, winter 2012
First, think in as homely a way as you can; next, shove your pen under the thought, and lift it by polysyllables to the true level of fiction.
CHARLES READE
Peg Woffington
Nothing bad can happen to a writer. Everything is material.
PHILIP ROTH
attributed, Literary Agents: How to Get & Work With the Right One For You
Beginning a book is unpleasant. I'm entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that's finally everything. I type out beginnings and they're awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it--that's what I look for during the first months of writing something new. I often have to write a hundred pages or more before there's a paragraph that's alive. Okay, I say to myself, that's your beginning, start there; that's the first paragraph of the book.
PHILIP ROTH
Paris Review, fall 1984
Writers kid themselves -- about themselves and other people. Take the talk about writing methods. Writing is just work -- there's no secret. If you dictate or use a pen or type or write with your toes -- it's still just work.
SINCLAIR LEWIS
attributed, Just Open a Vein: A Book of Quotes for Writers
After being turned down by numerous publishers, he decided to write for posterity.
GEORGE ADE
"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang
The world is a hellish place, and bad writing is destroying the quality of our suffering. It cheapens and degrades the human experience, when it should inspire and elevate.
TOM WAITS
"Strange Innocence", Vanity Fair, July 2001
Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016